Story in Prairie Fire

I am thrilled to announce, not another baby, but a story. I am so proud to have a short story published in Prairie Fire magazine. It’s a magazine that deals with the big issues, those that really count. The story is one I care about a lot, and Prairie Fire is the ideal home for it.

They have been lovely people to work with and it’s an additional thrill to find that something I have written resonates with people so far away!

Conspirators

This short piece is inspired by Sonya’s three line tales prompt. You’ll notice it’s rather more than three lines. This is the first time I’ve gone into the realms of true flash fiction with this prompt. Must be something in the air.

photo by Marco ten Hoff via Unsplash

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We had answered the call, the secret, furtive summons on our group’s private notice board, and we waited with bated breath in the narrow room for him to appear and tell us what we wanted to hear.
His words had thrilled us, so full of the obvious that our leaders denied, pointing out their falsehoods, the coverups, urging us to take to the streets and show them we were duped no longer.
He burst into the room, a giant, backlit in silhouette, wreathed in smoky light, and we roared his name, stamping our feet. He silenced us.
“Your time has come, your moment of glory. They are here, outside the building, the dogs of the conspiracy of corruption, to silence us. Their guns are pointed at the doors and windows. Go! Meet them, like the heroes you are!”
We looked at one another, licked dry lips.
“And you, Master? Will you lead us?”
“I will be behind you, praying for your success, to wade through your blood to take power.”
Even in the murky half-light, his wide grin shone white as bone.

Can we redirect the spotlight please?

I’ve been trying to write something for today, and I’m not getting anything. It’s a strange sort of irony that has made International Women’s Rights Day coincide with the international bleeding hearts for Meghan Markle day. The international outpouring of support for an extremely rich, extremely privileged woman who feels she’s been incredibly badly treated.

Feminist ideas used to be simple, basically that the only differences between men and women are physical—men are generally stronger. If the fridge needs moving, I admit, it’s beyond me, though I know women who can shift fridges and more power to them. The important things though, like teaching, leading a team, building bridges, designing buildings, inventing a can opener, piloting a space ship, running a country, understanding why people get sick or lonely or depressed, are all within a woman’s scope.

That is what feminism means to me. That you will assume that I can do, and I do know, rather than that I can’t and I don’t. Feminism used to be simply about women, all women, and our (equal) place in the world.

I don’t understand what it means anymore. Instead of equality and inclusion, it has developed a hierarchy of grievances and causes to defend. It has become exclusive, separatist and intolerant. It has its black list of ‘fascist’ ideas, people and groups, and has been side-tracked into the defence of ideas that have nothing to do with feminism. It can condone girls being denied the same education as their brothers in the name of cultural identity, but be outraged at a white-skinned woman wearing her hair in braids. It seems to have forgotten that the world of equality, economic independence and liberation from the different forms of patriarchal oppression has not been created, and at this rate, it won’t be.

Smoke

For the dverse prompt, including the lines from The Song of Wandering Aengus by WB Yeats:

I went out to the hazel wood,
Because a fire was in my head.

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I went out to the hazel wood, because a fire was in my head, but the fire, I took with me, and the rushing stream couldn’t quench the flames. I listened to the blackbird, but his song was out of kilter, and the sun streamed slantwise through the pale green leaves.

They say the world is spinning to its end, the heaving oceans empty of their fish are filling with our discarded plastic. I listen to the blackbird but his song is not for me.

They’re shooting in the chase, I can hear the horns and the coarse voices shouting, coarser than any dog giving tongue. As if we needed more blood. The world is drowning in it.

Listen, blackbird, to the pale-winged moths, their song is more in keeping with these end times. Hush. I hear the ocean rushing over the world’s edge.

#writephoto: Dark pool

A short story for Sue Vincent’s weekly photo prompt. You’ll have to go to Sue’s blog to see the prompt as WP refuses to upload it here.

The river flows as it always did, in turbulent pools where the bank is broken by the deep stone walls. Impregnable, they always said, with the cliff behind and the river before, and my father laughed at the notion of siege.
“We have stores enough for two years within and the wells never run dry.”
When he said I was to marry the neighbouring seigneur to make our joint lands the wealthiest in the county, the fort became a prison. You vowed you would come for me, as I vowed I would be here when you did. No walls would keep me in if your arms waited on the other side.
So I was here where the river rolls, with its whirlpool of autumn leaves carried round and round in the current, trapped between buttress and bank, when you guided your boat with muffled oars silently beneath walls. I was here when you raised your sweet face and opened your arms.
You were there, below, when I climbed the parapet, a cord about my waist and tested the strength of the knot about the merlon. And I saw your face, smiling, one last brief moment before my father’s archers leapt from the tower and your smile turned to a grimace of pain and despair.
Only I am here now, watching the river. My father believes women have no courage and doesn’t even think to put a watch on me. The FitzHugh is coming tomorrow to finger the goods, the prelude to my sentence, but by then, I will be where you fell, among the autumn leaves carried round and round in the cold, clear river water beneath this wall.

Three Line Tales: Convergence

For Sonya’s weekly photo prompt.
photo by Raychel Sanner via Unsplash

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The turbulence gathered, the spiralling winds whipping forests to a blaze, oceans to rolling mountain chains of water, and the earth opened to receive it.

All the dark matter of pain and suffering concentrated in one huge desert sucked dry of concrete and living things, drawing all roads towards it inexorably.

When all our works had hurtled to their meeting place, with wild laughter or howls of despair, and the sky poured all of its anger into the last great electric storm, the vengeful mouth yawned, drank deep and snapped shut.

Three Line Tales: Foiled

Procrastinating again. For Sonya’s Three Line Tales prompt.
photo by Jonny Caspari via Unsplash

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On the highest mountain peak on his stone chair, the Great God sat, a sceptre in his hand pointing at the Earth.

The needle that was to burst her fragile bubble, let her life-giving air leak away, was poised, an army of lesser gods ready to leap into the breach.

But Earth had no need for such hypotheses, and the fantasies broke, flaming torches against the scientific reality of the atmosphere, falling like stars into the blue oceans.

The world afterwards

Because it’s Sue’s prompt, and because I like the image.

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There’s a lonely hill above a lonely valley, and no one treads the high paths anymore. Once there were forests they say, latterly herds of brown cattle and flocks of sheep, but the soil thinned until the grass grew brown as the cattle.
No one treads the high paths anymore, and in the valley the sheep have gone, the cattle long since bones beneath the bracken.
Only I go there at times, when the air is not too sharp and the glare in the sky not too fierce. I stand on the hill and try to remember what green looked like, the smell of gorse flowers, and the song of the skylark above the heath.
I strain through my mask to hear that music of a dead time, but the only sound is the rattle of the wind in the heather’s dry bells.

Flight of sorts

For the dverse prompt. 144 words exactly.

The egret picked its way through the reeds to where the open water of the lake began, the stately progression of a Medieval princess dressed in white samite performing some mystery. He shifted his weight; the movement frightened the bird and it launched itself in a shower of droplets into the sky. Envy made her want to weep.
“Oh to have that freedom, those white wings.”
He shrugged. “It’s not freedom. It’s just following nature’s orders.”
“Sometimes,” she said, “the great bones of my life feel so heavy, I could drown in these shallows.”
He took her hand. She knew what he was going to say, the platitude about how he’d always be there to carry her. She pulled her hand away.
“The shallows call with more passion than I’ve ever heard from you.”
“I know,” he said and turned back to the house.